There is a mode in which one views the world and how one is perceived by the world. This work provides an opportunity to engage in a conversation deeply rooted in complex internal and external perceptions. Blackmale explores the context of perception in society and of the individual through an investigation identity. Through examining social landscape, the work explores the perception of Black men in American society while considering the complexities of social identity. Exploring these systems at play, this growing collection of work examines the both universal an individual nature of Black male identity within the context of the United States.

​

During my formative years, I was given a set of tools. Not a gift from my grandfather but, my mother. This set of tools was a set of rules and procedures to follow means to protect my body from the world. She taught me how to perform in a way which is socially acceptable in order to survive the prejudices of the world but that the way I am viewed by society at large is not who I am. These rules included “don’t be good, be excellent”,” if you’re angry, never let it show”, and “show respect even if you don’t receive it.” These rules are second nature presently but speaks to a larger social context.

​

Navigating a world which is not designed for someone that looks like me or consumes the world in a similar manner. It is filled with a complete set of unspoken rules which dominate the way I am ultimately perceived. Blackmale, as an art practice, is a growing collection of evidence of the Black male condition. The series captures moments which would otherwise be overlooked; Providing a space to discover community through shared experience.